Monday, September 6, 2021
Plus: a newly translated piece by Hirokazu Kore-eda
The Films That Shaped Ephraim Asili. The formally innovative and politically incisive filmmaker discusses a series he has curated for the Criterion Channel, which spotlights work that disrupts the status quo. By Beatrice Loayza | | | | |
Celebrating Il Cinema Ritrovato 2021. With its magnificent outdoor screenings and wide-ranging selection of repertory discoveries, this year's festival was a rapturous escape after months of pandemic seclusion. By Imogen Sara Smith | | | | |
Death Arrives as a Melody in Ikiru. A popular ballad from the 1910s becomes a a meditation on mortality in Akira Kurosawa's portrait of an ordinary man's final days. By Geoffrey O'Brien | | | | After Life's Literary Transformation. Translated into English for the first time, this afterword to Hirokazu Kore-eda's novelization of his film explores the director's attraction to fiction writing and how the art form differs from narrative cinema. By Hirokazu Kore-eda | | | | Silence in Le samouraï. In the latest entry of our ongoing series One Scene, the author of the acclaimed new thriller Velvet Was the Night pays tribute to a memorably minimalist moment in Jean-Pierre Melville's noir classic. By Silvia Moreno-Garcia | | | | |
| —Luc Sante on The Naked City, one of sixty-one films now playing in the Criterion Channel series New York Stories | | | |
THE DAILY A Roundup of Exciting New Film and TV Projects. Highlights include an adaptation of a novella by Karen Blixen (pictured) that Bille August is directing for Netflix. | | | | | |
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