Featuring James L. Brooks's closet picks, a tribute to Sinatra on-screen, a portrait of Ruby Dee behind the camera, and more.
Nina Menkes's Psychic Excavations. In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious. By Sarah Resnick | | | | |
The Exquisitely Downbeat Performance at the Heart of The Manchurian Candidate. In his middle age, the Chairman of the Board embraced a tired, tormented persona on-screen, one that allowed him to show off his formidable acting chops. By Christina Newland | | | | |
The director of Broadcast News and Terms of Endearment talked with us about some of his comedy favorites, from Oscar Wilde to Albert Brooks. | | | | | |
The Screen Legend's Pivotal Collaboration with Jules Dassin. A rare example of a bold political film released by a major American studio, 1968's Uptight embodied the actor's mission to fuse art with activism. By Ina Archer | | | | Behind the Look of Our Céline and Julie Go Boating Edition. The Brooklyn-based illustrator who created the images for this release reflects on her playful yet meticulous process. By Lauren Tamaki | | | | |
| —Barry Jenkins on his first encounters with Wong Kar Wai's films, which are collected in a newly released box set | | | |
THE DAILY The Best New Film Books. Highlights include an appreciation of Tsai Ming-liang's Goodbye, Dragon Inn (pictured) and studies of Josephine Baker and Tobe Hooper. | | | | | |
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