Plus: Constance Tsang's Top 10 list, a look at this year's Cannes winners, and Kaveh Akbar on Abbas Kiarostami
The Noirs of Blacklisted Filmmaker Cy Endfield. The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition. By Imogen Sara Smith | | | | |
When Alice Coltrane Took Her Message to Late-Night Television. In her singular mid-1980s show Eternity's Pillar, the jazz iconoclast gave viewers a chance to experience the healing powers of her music—and the intense spiritual practice that fueled it. By Shannon J. Effinger | | | | |
10 The director of Blue Sun Palace chooses a selection of films that have taught her about the craft of cinema. | | | | | |
A Conversation with Ifeyinwa Arinze. The director discusses her path from neuroscience to cinema and the childhood memory that inspired her short August Visitor, a film about culture and intergenerational understanding. By Tayler Montague | | | | On The Wind Will Carry Us. In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects. By Kaveh Akbar | | | | |
| —Kent Jones on the late German auteur Rainer Werner Fassbinder, who would have turned eighty this week | | | |
THE DAILY A Look at This Year's Winners. The triumphant return of Jafar Panahi, who took home the Palme d'Or, capped off what many consider to be a terrific year at the festival. | | | | | |
0 Komentar untuk "The latest in Criterion’s online magazine: A blacklisted Hollywood renegade and a spiritual-jazz iconoclast"