Plus: Mark Jenkin's Top 10, an underappreciated milestone of Asian American comedy, and an interview with CETTE MAISON director Miryam Charles
Three Routes Through Thelma & Louise. This series of essays on the rule-breaking, Oscar-winning friendship drama features Jessica Kiang on the film's seamless blend of genres, Rachel Syme on the iconic performances of Geena Davis and Susan Sarandon, and Rebecca Traister on the movie's place in feminist history. | | | | |
Rediscovering They Call Me Bruce. One of the first hit movies made by an Asian American team, Elliott Hong's 1982 fish-out-of-water comedy confronts everyday racism with irreverent humor emblematic of its era. By Oliver Wang | | | | |
10 The director of Enys Men praises the holy trinity of Bergman, Bresson, and Tarkovsky, and highlights films that are narratively simple but thematically complex. | | | | | |
A Conversation with Miryam Charles. In her feature debut, Cette maison, the Haitian Canadian filmmaker develops an ornate and innovative approach to documentary form as she grapples with a painful part of her family history. By Nataleah Hunter-Young | | | | |
| —Ira Sachs on Chantal Akerman's Je tu il elle, one of twenty films now playing in the Criterion Channel's LGBTQ+ Favorites lineup | | | |
THE DAILY This Year's Prize Winners. Justine Triet's Anatomy of a Fall (pictured) took home the Palme d'Or, and Jonathan Glazer's The Zone of Interest won the Grand Prix. | | | | | |
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