Plus: A new personal essay by Larissa Pham and a tribute to silent cinema's unsung pioneers
Six Women Writers and the Serial-Killer Movies That Thrill Them. Ranging from the slasher classic Black Christmas to David Fincher's sprawling true-crime puzzle Zodiac, these tales of murder raise thorny questions about the pleasure and politics of spectatorship. By Megan Abbott, Angelica Jade Bastién, Elena Gorfinkel, Beatrice Loayza, Nadine Smith, and Kelli Weston | | | | |
A Couple's Journey Through Film. In the latest entry of our First Person series, the author of the acclaimed book Pop Song explains how she came to her cinephilia—including her love of Agnès Varda's The Gleaners and I—by learning to appreciate her partner's favorite movies. By Larissa Pham Illustration by Xia Gordon | | | | |
Hearing Liberation in Tootsie's Love Theme. In the context of Sydney Pollack's gender-crossing comedy, the hit ballad "It Might Be You" suggests that the plenitude of romantic possibility has the power to break down social boundaries. By Karen Tongson | | | | Toward an Inclusive History of Silent Cinema. A string of recent programs, including at the Pordenone Silent Film Festival, have illuminated important actors and filmmakers whose success in their time challenges the impression that early cinema was exclusively the preserve of white men. By Pamela Hutchinson | | | | Revelations and Omissions in Alan Berliner's Home-Movie Collage. The latest article in our Deep Dives series looks closely at The Family Album, a poignant but limited view of American domestic life from the 1920s to the 1960s. By Radha Vatsal | | | | |
| —Geoffrey O'Brien on Alfred Hitchcock's British films. See these early-career gems along with the Master of Suspense's later work in Hitchcock for the Holidays, a series now playing on the Criterion Channel. | | | |
THE DAILY The Academy Museum Opens a Two-Part Retrospective. Running now through December 29, the first half of the program presents fifteen features screening on 35 mm prints from the Academy Film Archive. | | | | | |
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