Featuring Rachel Kushner's Top 10, a new personal essay by novelist Bryan Washington, and a close look at contemporary Indigenous cinema.
How Contemporary Indigenous Filmmaking Challenges Auteurism. The most memorable work showcased at Toronto's imagineNATIVE Film + Media Arts Festival pushes against cinephile culture's individualist ethos by emphasizing community both behind and in front of the camera. By Girish Shambu | | | | |
Finding a Friend in Yi Yi. In the latest entry of our ongoing series First Person, the author of the novel Memorial reflects on how Edward Yang's epic swan song has accompanied him around the world, through different stages of his life. By Bryan Washington Illustration by Xia Gordon | | | | |
10 The author of The Flamethrowers shares her favorite films, including masterworks by Barbara Loden, Robert Altman, and Ousmane Sembène. | | | | | |
Hideko Takamine Navigates Life's In-Between Moments. Known for her resilient heroines, the prolific Japanese actor finds agency through hesitation in Mikio Naruse's When a Woman Ascends the Stairs. By Moeko Fujii | | | | The Biggest Challenge in Restoring Merrily We Go to Hell. A member of our team of digital-restoration artists details his painstaking work on Dorothy Arzner's 1932 film, which we released in a new edition this month. By Eric Luszcz | | | | |
| —Elia Suleiman in an interview with Bilge Ebiri, published in 2019. Suleiman's films are streaming for free at the Arab American National Museum's website through the end of the week. | | | |
THE DAILY Praise for The Underground Railroad. The ten-episode adaptation of Colson Whitehead's novel has inspired great writing from recent Current contributors Devika Girish and Blair McClendon. | | | | | |
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