Plus: an in-depth look at Hindi cinema pioneer Bimal Roy and a first glimpse at this year's Cannes Film Festival.
Bimal Roy's Unique Take on the Postcolonial Moment. To reflect the nation's tumultuous transition into modernity, the pioneering director forged a path between the realist tendencies of the era's art-house cinema and the pleasures of popular genre filmmaking. By Devika Girish | | | | |
How Movies Imagine the Afterlife. From Here Comes Mr. Jordan to Defending Your Life (which we recently released in a new edition), cinematic depictions of the hereafter often hinge on widely shared anxieties and uncertainties about our earthly existence. By Donna Bowman | | | | |
Inside the Making of Memories of Murder. In the latest entry in our series 10 Things I Learned, the producer of our new release of this unnerving crime procedural shares details about director Bong Joon Ho's meticulous approach to visual style and the lengths to which actor Kim Sang Kyung went in order to portray his character. By Curtis Tsui | | | | What The Long Day Closes Reveals About the Melancholy of Not Belonging. Obsessed with the lure of memory and the stigma of social otherness, Terence Davies's masterpiece inspires this writer to take a winding journey into her own peripatetic past. By Ella Taylor Illustration by Xia Gordon | | | | |
| —David Fincher on the subject of his film Mank, the most-nominated movie competing for Oscars tonight | | | |
THE DAILY Leos Carax's Latest Will Open the Festival. The director's long-awaited follow-up to Holy Motors is a love story starring Adam Driver, Marion Cotillard, and Simon Helberg. | | | | | |
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